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Tale
of Two Cities
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| By:
Ilene Dube , TimeOFF, The Princeton Packet |
07/02/2003 |
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Romantic
visions of Paris and New York are woven together
in photocollages on view at the Brodsky Gallery.
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The U.S. dollar won't take you very far in France this
summer, but a Parisian experience is just a car drive away.
The Brodsky Gallery at Educational Testing Service in Lawrence
is featuring Emily Townsend's Paris and New York
Photocollages through July 23.
Ms. Townsend takes bits and pieces of the
things she likes — old photographs, maps, postcards and
historical ephemera (ticket stubs, menus and cartons du pub,
or graphic illustrations) — and puts them together using
Adobe Photoshop. Trained in painting and architecture, the
West Windsor resident taught herself Photoshop so she could
teach it to others. She also is an accomplished photographer,
and her own images of New York and Paris street scenes
personalize the collages.
"I'm interested in combining images to
convey a feeling or sense of place," says the Washington,
D.C., native who traveled to Paris three times in the past 18
months for the project. "Parisians' great respect for
history and archival materials makes it easy to find postcards
and photographs at the bouquinistes along the Seine...
Juxtaposing these elements with my own photographs helps
capture the fleeting moments in the life of this city,"
she writes in her artist's statement.
If Ms. Townsend's images remind you of
chocolate, that's because there are subliminal messages about
the elixir hiding within images — a sign for a chocolate
shop, two children cut out from a chocolate package.
Francophiles will love the Eiffel Tower, the bistros, the
cobblestone streets, the Hector Guimard art nouveau Metro
entrances and, of course, the fromage. New Yorkophiles
will revel in images of Central Park and the surrounding
skyscrapers, Times Square and big yellow taxis, billboards,
the subway and sewer caps. A ghostly reflection of the Twin
Towers will resonate for everyone.
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Above,
"Show Reflections, Times Square." |
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At
left, "Old and New." |
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Ms. Townsend moved to New Jersey from
Maryland three years ago and started teaching Photoshop in the
continuing-education program at Mercer County Community
College. "I had used Photoshop as a tool up to that
point, but then I had an epiphany that it could be a medium,
as well," she says.
The show is divided into Paris and New York
sections, although there is overlap within images. For
example, a reflection of Times Square is in the rear window of
a Volkswagen in Paris, and a French balcony can be seen in the
upper right corner ("Show Reflections, Times
Square").
"I consider Paris to have a more
feminine beauty, whereas New York is more masculine. It is
harder, with less green space; it's more about concrete and
buildings and cars and signage. New York is more overwhelming
than Paris," says Ms. Townsend, who spent a greater
amount of time in Paris than New York.
"The streets of New York are so
congested, yet shopping is so luxurious," she says.
"I wanted to capture that. My street scenes are gritty
with hints of luxury."
There are references to turn-of-the-century
immigrants and New York as the promised land. Ms. Townsend's
own grandmother emigrated from Eastern Europe in 1911, and the
artist wanted to contrast the dreams of fine things with the
reality of the city — riding the subway, for instance.
"Dreams, Just Dreams" shows
modern-day tourists looking up at the skyscrapers of Times
Square, with the ghosts of people from an era gone by in the
distance and postage stamps with the Statue of Liberty and the
World Trade Center. Ms. Townsend says she wants to show how
the actual image is not always as glamorous as the dream.
Another collage, "Wow," includes a
sign: "Sublime Entertainment." "New York is
enticing visitors to come on in," says Ms. Townsend.
Perhaps Anais Nin says it best: "Throw
your dreams into space like a kite, and you do not know what
it will bring back, a new life, a new friend, a new love, a
new country." Ms. Townsend has the French author's words
inscribed on this collage.
Having studied design — she has bachelor's
degrees in both art and architecture, and a master's degree in
architecture, all from the University of Maryland, and during
her junior year she studied painting and stained glass at the
Ecole de Beaux Arts in Aix-en Provence, France — placement
of the objects in the collage comes naturally. Ms. Townsend
likes being able to play around with the composition using
Photoshop, as well as using filters to manipulate the images.
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"Metro
Musique," above.
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As busy as her photocollages are, her
paintings, by contrast, are serene images of nature — water,
flowers, a "Consciousness Landscape." The mother of
three works from a studio in her basement, where she has a
library of reference books for her collages. "My painting
has never been about travel or place but what's inside
me," she says. "My method has always been to let the
work evolve — (the collages) are more directed. They start
with more concrete data."
Ms. Townsend paints with a group, jFour. The
women work together simultaneously on a single canvas.
"We have a lot of synergy and we merge our styles,"
she says. "Sometimes there's heated discussion, but other
times there is this flow. It's different from what we'd make
individually, but we merge into one. We have to overcome our
cultural differences, but we're open and manage."
The four women met through the Newcomers
Club of the YWCA Princeton and bonded when they learned each
was a painter. jFour will have a show at the Broome Street
Gallery in Soho in October.
As an architect in Bethesda, Md., Ms.
Townsend managed residential remodeling and addition projects
and designed exterior deck, porch and arbor projects.
In the end, she is guided by her inner
voice. "I put (the collages) together in a
non-intellectual way, so it's hard for me to explain
them," she says.
"Metro Musique" (pictured at left)
evolved from a photograph she made of a gypsy playing the
accordion on the Metro. She incorporated Picasso's
illustrations of musicians, as well as a Parisian street with
signage. Discussing a recent article in The New York Times
Magazine about a Wall Street businessman who fulfills his
passions playing keyboard on the New York City subway, Ms.
Townsend says, "To follow your heart is the highest
calling. Being an architect is impressive — the world puts
prestige on things like that — but to really communicate
feeling about the world is a higher calling."
Paris and New York: Photocollages by Emily Townsend is on
view at the Brodsky Gallery, Educational Testing Service,
Rosedale Road, Lawrence, through July 23. Gallery hours:
Mon.-Fri. 9 a.m.-9 p.m. For information, call (609) 921-3600. |
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